Eyes On Me — what Sidhu Moose Wala's posthumous catalogue keeps proving

The thing that keeps surprising me about Sidhu Moose Wala\'s posthumous catalogue is not that the records are good — they are, and the team around them is releasing them with an editorial discipline most living artists do not get. The thing that keeps surprising me is that the audience has not let go.

Three and a half years after his death, every Sidhu release re-enters the Spotify Global Punjabi charts within hours and the YouTube India trending charts the same day. SYL did it. Vaar did it. The Mera Na Burna Boy collaboration did it. The Moose Print EP did it. Eyes On Me, the April 2026 single, debuted at #1 within hours of upload.

Why the The Kidd reunion matters

What gives Eyes On Me additional weight is the producer. The Kidd is the Spanish trap producer behind 295 — the track that arguably defined the modern Punjabi-rap × global-trap aesthetic. Returning to that producer for a posthumous release sends a clear signal that this is not a label-curated B-side but a continuation of the catalogue\'s sonic identity.

For listeners following Sidhu\'s catalogue, the song reads as the same artist they first met on So High — same vocal cadence, same first-person bars, same refusal to soften. The audience continues to treat each posthumous release as the artist himself speaking, and the chart numbers keep proving the audience is right to.

Read the lyrics page: Eyes On Me — Sidhu Moose Wala × The Kidd.